Most musicals create a heightened reality as part of a prerequisite for the genre, and then there is Annette. The first film in nearly a decade for Leos Carax, the wild risk-taking auteur behind such form-pushing provocations as Holy Motors and The Lovers on the Bridge, Annette is as tortured, joyous, and swooning a work as those in his filmography. His return marks a significant occasion for arthouses, and he meets that sense of event with a film to be tamed during and after one watches it. Annette infuriates and enthrals in equal measure, undeterred by how much of the audience it loses with its one-of-a-kind spectacle. Carax is back and making stylistic leaps as bold and uninterested in the rational as ever, but he reemerges with his greatest sense of reflective humanity.Continue reading “In Review: Annette”
To get you in the mood for both the Oscar nominations and the first filmmixtape Best of the Year recognition, have a sample of 2015’s best scores.
Playing the long game at the global film festival circuit a full year prior to nationwide American release, David Robert Mitchell’s Argento/Carpenter horror hybrid It Follows was a minor hit this past spring – enough so to cancel its original VOD release plan due to strong box office – and was the strongest entry in a poor year for the genre. An auspicious breakthrough for Mitchell (who scored a Best Director nomination last week from the Independent Spirit Awards), the film excels through harmonious design elements that serve an open metaphor that dynamically allows various interpretations – and also rattle even the toughest of nerves.
From the lushly terrifying cinematography to the deliberate and confident editing, all crafts on display in Follows form a complex whole that recalls slasher genre origins where the Big Ideas frightened us more than than a hyperactive construction. But the single most effective contribution on display is the diverse and unsettling score by Disasterpeace. In sync with Mitchell’s throwback intentions, but avoiding cliches or copycatting, the film’s scares both subtle and overt are owed greatly to Disasterpeace’s work .
Check out the terrifying music selection from the film’s startling opening sequence after the jump. Best Original Score Oscar Predictions