This year’s Cannes Grand Prix winner, Robin Campillo’s BPM (Beats Per Minute) is a staggering film. Detailing the Paris branch for the Act Up movement during the height of the AIDS epidemic, Campillo and his sprawling ensemble make the most humane film of the year in a year full of them. Embodying a spirit of activism that makes BPM an urgent and timely piece of filmmaking, there is hope in the act of resistance.
That sentiment is putting it mildly for the multitudes that BPM contains. Campillo is intellectually ambitious with the film and exacting in the breadth of what he achieves. It is a film of human beings that love one another, that bicker over crucial nuance and maneuver group dynamics. Human beings that protest, dance, fuck, and that live joyously and die unceremoniously. The outside world is cruel, but in here the water is warm. BPM is a masterpiece.