This year brings two widely dissimilar studies on Christine Chubbuck, the local Florida television journalist that committed suicide on live television – the documentary Kate Plays Christine and Antonio Campos’s considerably more traditional Christine. In the narrative version, Rebecca Hall plays the disturbed Chubbuck in the weeks leading up to the mythologized event and her news station cohorts (played by Michael C. Hall, Tracy Letts, and Maria Dizzia plus others) take a deeper part in her story. The two films create interesting dynamic in contrast unlike similar competing films close in release (think Capote and the less successful Infamous), illuminating both the subject and the larger societal implications of her case when seen in close proximity.
This Christine belongs mostly to Rebecca Hall’s stunning and alive performance, with challenges unlike anything the actress has ever been granted. Hall possesses a gallows humor underneath her pain that is unexpected and quite effective in helping portray Chubbuck as a flesh and blood human being as the film doubles down on her enveloping psychosis. Equally impressive is her ability to play the woman’s nuance and more unhinged moments with a cohesiveness that the script doesn’t always achieve. As heartbreaking as it is terrifying, Hall just delivered a career high performance that will rattle you.