In Review: The Electrical Life of Louis Wain

The other other Benedict Cumberbatch movie of the fall season, The Electrical Life of Louis Wain, is perhaps the kind of film we might have expected from the star a decade ago. Here he stars as the titular famed artist in the kind of flowery biopic crafted with an aesthetic just left of center, the kind that has influences from Tim Burton to Julie Taymor to Richard Attenborough. It is the sophomore feature directing effort of Will Sharpe (also sharing screenwriting duties with Simon Stephenson), who brings a great deal of stylish panache to the proceedings. But in capturing a turbulent life, Sharpe delivers an uneven biopic.

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In Review: Unsane

Steven Soderbergh’s quiet return from non-retirement continues with a decidedly less fun entry than last summer’s Logan Lucky. This time the filmmaker goes for psychological horror with Unsane, a psych ward-set tale of compliance, paranoia, and dominance. The film is also a return to the low budget, grungy digital filmmaking that he has often been fascinated with, this time to equally grimy material.

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