In Review: “The Beguiled”

Smoke creeps in to Sofia Coppola’s southern landscape of The Beguiled, a girl’s school led by the stiff Miss Martha (Nicole Kidman) still functioning on bare bones. That encroachment reminds of the battle not too far off, the sounds of cannons just at the ear’s reach, and the potential for their secluded world to collapse. But the struggle inside this dusty mansion is both within and without, as a wounded northern soldier Corporal McBurney (Colin Farrell) tests both their will and his welcome through sexual and emotional manipulation.

These women are not so easily swayed as he believed.

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Best Actor of 2016

I’m getting my Year In Review work started earlier than last year – and before the Oscar nominations arrive on Tuesday! Last year, my Best Actor choice was Michael Fassbender in the already forgotten Steve Jobs, but my choice this year will likely have much more staying power. What nearly made my lineup: a career-best Chris Pine in the underwhelming Hell or High Water, Andrew Garfield’s broken idealism in Silence, Viggo Mortensen’s Captain Fantastic watchability, Logan Lerman’s enervated and paranoid Indignation performance, and Jesse Plemons’s uncomfortable queerness in Other People.

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Casey Affleck – Manchester By The Sea
You could easily be wowed by Affleck’s immersion into profound grief and guilt, but it’s the cracks in his resolve that are most impressive. His evasion is by turns infuriating, devastating, and hilarious as Affleck finds unexpected tones throughout unremarkable moments. On the page, Lee is battling the expectations of others, but Affleck makes him at odds with himself.

Colin Farrell – The Lobster
Farrell’s minimalism goes a long way to balance out the film’s more misanthropic moments and absurdities. His plainfaced acceptance and dejection is consistently hilarious and helps the audience submit to the film’s concept. Just like the film, the stifled sincerity and compassion beneath the surface of his performance is both surprising and a crucial piece to the satire.

Ralph Fiennes – A Bigger Splash
An exclamation point of a performance, Fiennes is all drunken and self-justified id. With sultry chemistry for every friend, foe, and in-between (not to mention the damn camera), he’s sleezily schmoozing everyone – foremost, the audience. His questionable morals should be our first hint at the film’s intention, but like the film, he’s able to deceive us – those dance moves help.

Ethan Hawke – Born to Be Blue
Chances are you probably missed this Chuck Baker biopic during it’s quick and quiet release, but catch up to it soon: Hawke’s portrait of dying hope in the face of addiction and artistic submission is one of his most passionate and surprising performances. A rare performance that illuminates a real person beyond their persona and greatest hits highlights.

Denzel Washington – Fences
A massive performance defined more by its intense intimacy. Washington reveals a compulsive component to his wrongdoing, an unaware self-destructive streak and the powerlessness to prevent it. So lost in his own despair that he’s blind to the pain he inflicts, Troy all but begs for adoration, dominance, and reverance; Washington, however, commands it.

And the Winner is…

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