In Review: The Nest

Nearly a decade after emerging with the unsettling psychodrama Martha Marcy May Marlene, Sean Durkin has finally arrived with a follow-up to that horror-adjacent debut. That film launched the career of Elizabeth Olsen as its fractured titular character, and his latest, The Nest, should rightly send its underrated lead actress Carrie Coon into the stratosphere. But while this film also provides its female headliner with a rich role of stifled expression, here Durkin hones the forebodingly tense traumas of his first film into something less overtly menacing, yet still as keenly psychologically observed. Like a haunted house movie without the ghosts, The Nest thrills with a pervasive sense of unease and no catharsis, making for a special breed of melodrama that eschews the emotional demands of the genre.

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