Churning out films at a steady clip, Clint Eastwood has become as synonymous with no-frills fast turnarounds to get his films into theatres as quickly as possible. Expediency seems to be the most important thing to Eastwood these days. Well, with the exception of projecting a certain kind of white male as an aggrieved victim to the system. Richard Jewell is another in a circling of the drain, with both of these worst behaviors from this treasured American filmmaker, as haphazardly assembled as it is ideologically conceived.
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