Lulu Wang’s The Farewell is an embrace of a film, the kind of personal narrative that reaches out and seizes your empathy with full force. It’s mighty but gentle, thematically varied but filled with specificity, funny but deeply moving – certainly one of the most varied in its gifts and therefore one of the best. Wang crafts the kind of film you hate to let go of when you leave the theatre, wishing you could stay in the weight of its affections and its grace. As the multiplex continues to fill with cynicism and commodity for fleeting distractions, The Farewell is a film built to actually connect. And does it ever.