In Review!: “Nocturnal Animals”

For his 2009 debut A Single Man, fashion designer-turned-filmmaker Tom Ford had his share of detractors with a film labeled as “style over substance”. While that’s an unfair complaint in my estimation considering how it hums to the rhythms of Colin Firth’s soulful performance and its moments of sharp (yes, stylized) insight, his follow-up Nocturnal Animals doesn’t meet that superficial low bar. This time, the glossy veneer can’t distract from the blank experience of the film of dual narratives: frosty art maven Susan Morrow (Amy Adams) receiving a manuscript from her ex-husband (Jake Gyllenhaal), and the grimy, violent novel itself (with Gyllenhaal playing its lead).

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The two stories are tied together in clunky ways, but the separate parts themselves are vacuously rendered enough to make Animals rarely more than tedious. Flipping back and forth between Morrow’s reflections on her marriage and the subpar book she reads, the film aimlessly flirts with genre and mood without goals or singular vision – the potboiler portion feeling particularly disengaged. The film throws (or rolls, or shrugs) quite a bit at the audience without any foresight on how to make it stick.

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In Review!: “Midnight Special”

Jeff Nichols has been steadily becoming the prominent American writer/director voice for the rural American male after the masterful psychological nightmare of Take Shelter and the open-hearted fable of Mud. His latest, Midnight Special is a bit wider in scope and ambition while keeping one foot in the pool of his previous efforts Americana environment. Nichols is playing with genre this time, a soft sci-fi effort that shows his ability to captivate an engaged audience with his confident control of craft. However unlike those previous efforts (along with the underseen Shotgun Stories), the screenplay rarely cracks the surface of the world he provides for us. The film’s eyes are bigger than its stomach.

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Nichols staple Michael Shannon plays Roy, who is on the run with his childhood friend Lucas (Joel Edgerton) with Roy’s mysteriously gifted son Alton (St. Vincent‘s Jaden Lieberher). Alton’s powers remain vague for much of the film, but he is wanted by the government for perceived threat to national security. Those powers had led Alton to be praised as some kind of deity by the cult he was raised within, an organization reminiscent of recent polygamist raids whose leader had taken claim over the raising of Alton. After kidnapping Alton and meeting up with his birth mother (Kirsten Dunst), Roy must deliver his son to the fateful coordinates that Alton had prophesied.

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Trailer Drop: “Midnight Special”

After the one-two punch of Take Shelter and Mud, Jeff Nichols is among the top emerging directors that we’re excited for here at filmmixtape. He’s venturing into genre elements – skills he hinted at with Shelter – with possibility his most mainstream film yet: Midnight Special. The teaser suggests we’ll get to see a softer side of virtuoso Michael Shannon and a chance for St. Vincent‘s charmer Jaeden Lieberher to shine. After being pushed back from this fall to avoid the holiday multiplex logjam, Special opens March 18 and is one of filmmixtape’s most anticipated of 2016.