“Margot Robbie. Your pulp didn’t pop, and your Sin City femme fatale was not a sin-sation. You’re safe.”
Several things are certain with the Margot Robbie-starring pulp thriller Terminal. First, Robbie and the film are largely in drag – as a femme fatale for the star, and the movie itself as a hyper-designed genre piece. Second, it’s not always good drag but a hoot nonetheless. Third, it’s essentially only Robbie that emerges unscathed. RuPaul and Frank Miller wouldn’t be upset, just disappointed.
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