In Review: John and the Hole

Opening with promise and displaying tantalizing initial threat, John and the Hole quickly squanders its potential not long after its delayed opening titles. The feature directing debut of Pascual Sisto, and adapted by Nicolás Giacobone from his own short story “El Pozo”, the film pairs stark imagery with an intentionally vacuous perspective on its titular young man. But beneath its enigmatic austerity is an arduous 90 minute effort to unlock its character study only to find an empty cave echoing back your frustration. The most embarrassing selection of this year’s Sundance Film Festival, and sure to be one of the year’s worst films, John and the Hole is all empty aesthetics and reactionary psychology performatively, even petulantly without depth. 

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