Here’s the start of filmmixtape’s first Best of the Year superlatives. Yes, some things will be coming at their own pace – I have a few major things to see. It may be late, but I’m a completist, dammit. I’m starting off with what is always my favorite category: Best Supporting Actress.
Rose Byrne – Spy
- Every withering word out of her mouth in etched in marble. Byrne’s comedic gifts are absurdly under-valued against larger comedy names, and she’s been found unexpected honesty in hilarious performances in Neighbors and Bridesmaids. But she’s never been this uproariously precise or taken given broad humor this much brains.
Nihal G. Koldas – Mustang
- Her grandmother is as both funny and urgent as the film needs her to be, but she’s never as anonymous as her character’s standing in the film’s patriachy. An extension of the film’s quintet of girls, she’s terrified, passionate, and loving in her own way. So much of the danger we feel for the girls come from the equal mix of fear and compassion on her face.
Sarah Paulson – Carol
- Suggesting a complete life sideways of the love story at the film’s center, Paulson is dynamically present in every one of her few scenes. The Abby she creates is never the expected stock friend role in a love story – she shares a deeper connection to Carol and grants more kindness in Therese than some throwaway. She finds variety and range, crafting an Abby that is randy, defiant, and devoted.
Alicia Vikander – Ex Machina
- She aces the high degree of difficulty: compellingly human beyond even sexual intrigue, but never humanly articulated. Like the film, she maintains tension by never overplaying her hand into outright menace or innocence. Still fascinating on multiple viewings, it’s a uniquely physical performance though she’s often perfectly still.
Kate Winslet – Steve Jobs
- Verbally dexterous as necessary to Aaron Sorkin’s relentless screenplay, you can clearly sense the actress energized by the challenges she aces along the way. She fleshes out Joanna Hoffman as more of a complete person than the rest of the ensemble floating in Jobs’s orbit, every bit believably disarming Jobs in the final act by digging deep and finding the film’s emotional core.
See who almost made the cut and filmmixtape’s winner after the jump!
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