In Review: Stillwater

Tom McCarthy is one of the most reliable humanist American filmmakers, creating layered character studies with larger societal considerations. From the economic woes inherent to his best film Win Win, the social biases underneath the charms of The Station Agent, to his most celebrated and largest scale treatise in Spotlight, McCarthy has carved himself a part of the cinematic landscape for humble stories that put human frailty and perseverance at their center. His latest Stillwater, a vaguely Amanda Knox-like narrative of post-Trump attempted reckoning, finds him taking on what might be his most difficult version of that kind of character-first task. 

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