In Review: The Climb

On-screen male friendship is well-tread material in revealing the exploits of compulsively bad men. In Husbands, John Cassavettes detailed toxic male behavior to spiritually and physically exhaustive extent, mining deep pathologies about how men goad and bolster their worst impulses in the name of friendship. Todd Phillips’ The Hangover series reflected all of the misogyny and violence of the very worst kind of bro-y male bonds, and aggressively condoned them. The problem with The Climb, Michael Angelo Covino’s debut feature, is that it thinks it’s the former with the dry wit, but it’s actually the latter with a straight face.

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