This week, Hit Me With Your Best Shot is getting the jumbo treatment with each of the Best Cinematography nominees of 1977 receiving a daily installment. First up is the Spielberg classic Close Encounters of the Third Kind.
Recently with the start of Netflix’s Stranger Things and the misfire of The BFG (I’ve yet to partake either) have reignited talk about Spielberg’s aesthetic its weaker would-be descendants. Encounters remains the perfect prototype for the true Spielberg formula: primal fear, emotional resonance, and a sense of earned awe. Thematically, it’s also possibly his best in dealing with social outsiderism and daddy issues.
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