It’s shorts week for Hit Me With Your Best Shot, a branch of film that I’m unfortunately not well versed. Outside of wide release for each year’s Oscar nominated shorts, accessibility is the issue – though that seems to be changing as more streaming services hit the market. However, without the level of discussion and coverage given to feature length films it’s difficult to discover which ones to seek out.
This was not the case last year for Don Herzfeldt’s World of Tomorrow (long available on Netflix and other platforms) thanks to high critical praise and vocal fandom since its debut at 2015 Sundance Film Festival. It’s easy to know that a film exists if major critics are calling a film one of the year’s best, feature-length or not.
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