When dissension needs to be heard, is it still better to speak with nothing to say than to not speak at all? As Ike Barinholtz’s directorial debut The Oath shows, it may be better leaving the outcry to voices that can convince rather than be simply loud. The film feels spiritually adjacent to the quasi-science fiction of The Purge franchise, portraying a future where the American government institutes a signed oath to the administration, enforced by both shadowy agencies and the social demands of those around us. The potential consequences of opposition are as scary as the futility of dealing with the devoted. But Barinholtz can’t move deeper than the lowest common denominator of his themes.